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The performative installation series ‘transatlantic transformations’ took place throughout the year 2010. It involved the transformation of beach stones from the Île d'Oleron in France into bronze sculptures. The work appeared in four different local settings during this journey, including Germany, Iceland, the north eastern US and Nova Scotia, Canada. In ‘transatlantic transformations’, Aimée created a material connection between two points on a map, which are located at the same latitude but which are transatlantic to each other. While doing so, she branched off this latitude in the midst of the journey in order to leave the ordering system of latitudes behind and to grasp and include stories that were collected while being side-tracked. She found her entrance to each of the material places to be connected not through information that is given on maps as such, but through landscape-specific materials, such as the beach stones, as well as the narrations of people who call these landscapes their places of belonging. Specific attention was paid to language inhabiting the power to produce and reproduce ‘spaces’ through practices of naming and, concomitantly, value attribution. This series involved the production of bronze sculptures, the conceptualisation of performative installations which appeared in and are specific to different performance and exhibit spaces, and collaboration with co-performers whom Aimée had not yet met before arriving ‘on site’. The series appeared at the EMK Gallery, Freiburg in Breisgau, Germany, at the KlingogBang Gallery, Reykjavik, Iceland, and at the salon series at Amherst College, Massachusetts. The final event took place on Cape Breton Island, Canada in August 2010.