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A friend of mine found an abandoned card catalogue: she thought that the catalogue had sculptural potential and pointed me to it. Taking her interpretation as an impulse, we brought drawers from the catalogue to my studio. Only a few days later I became acquainted with the person who had used the catalogue for many years as a system by which to order his tools and supplies - the facility manager of the theatre department at Mount Holyoke College. I liked to hear how, for many years, the catalogue had served as a structural element in the daily life of a person on campus. Revisiting both the notion that the catalogue has sculptural potential, but also its history as an ordering element in everyday life, I used it to create a 3D interactive diary. The piece refers to different experiences that I had during the 14 weeks of my visit prior to the ‘true stories untold’ show; 14 weeks that expanded and challenged my own ‘cultural experience map.’ Some of what is shown within the drawers of the diary refers to stories that I heard, while other drawers show materials that point to an experience that I had. During the ‘true stories untold’ show, the 14 drawers were spread out over the two buildings, as a means of ordering and connecting the various elements across and between the two sites of the show.